UntitledNothing There was once a man who lived in a grey city.He was quiet,And no one noticed him.He lived alone,In a large houseThat could have easily fit two.The hallways were always full,Filled with the mournful colours,That bled from crayon tips. Everyday this man went to work,Then returned as the sky turned black.Everyday this man was greeted by nothing,Smiling, until the man trudged away.Nothing was nothing after all.It was always the same routine.Every day for the longest time.But the man never changes. The same.No matter how hard anyone tries to make the man realize,That there is Something.That it is yearning for his attention,That all it cares for is him,He will always blind himself from these things.Besides, it wouldn’t matter.Nothing would move on.It would forget. So many years.You left me alone,But why?Did you fear me?Did you hate me?Did I make you feel guilty?I still loved you anyway.
there's something fatal about coughing up verse.i got written up for writing poetry on the desksat school.i don't think they liked the language i usedwhen i wrote how my heart was beatinglike headboards against the walls of people fuckingat 3 am to the sounds of joy divisionwhenever you read me paintings at dawn.they were going to send me to the counselor,but i said my therapist probably wouldn't like that,so they just let me go.but this saturday, when i'm cleaning lives off of every desk in school,i'll just be thinking how much i'd rather be sitting on your roofand laughing when we argue about rimbaudand sighing as we start to die.
renovationsmy mind looks at my bodyand says, "i don't like whatyou've done with the place."
The Owl's RiddleYou come and ask me,but you don't always understand my answers.You meet me in the night,but I'm not a bird of darkness.
Venom QuillVenom Quill 9/26/14I'll tattoo you with a poison quillall the venom I will spillSo all the misery you imbuedwill permanently stick to you.I cannot find any timewhen you did not feed me lines.So I will etch on you all thepain inside my skinuntil the message sinks right in.
WineHead on a patisserie tablewith a wine-scented napkinthat I scrawled your name all overin the hopes it might necromanceor just romance youto this place, at this time,so we could be together againand although the guitarist knowsthat I'm broken beyond blueI keep reaching for the bottlein the hopes it might recreateor just replicateyou.
to the ghosts with you, my deari came not to be kissed,or to have myself cradledin the curve of a throat,but to be broken,to be diminishedby your lack of affection& over indulgence of sexualization.but i,uneducated in your intent,found myself left entirely whole& incapable of the furyi had sought to sow between theridges of my aching ribs.
short history of the universe(what it's like is anne sexton quoting van gogh about sometimes having a terrible need for religion)Genesis:A lake slams into a bus and a city is unborn.Enter an ocean of fog and then desert after desert stacked above the hills.Then you get drunk as fuck near the tumbling skyline,and this god damned room burns like prayer in your chest.Then many missing scientists reappear in your brittle beach,and your satellites in relapse all bending,and what it's like is some kind of disaster, honestly;the arms and the aerosol and the linen and the light.And the rumble forwarding the sovereign wreck sayingsurvive yourself like you've survived me;saying the game-changing theory was that everything is always moving,always,and same for the carousal shadow bleeding through the mountain in your dream,same for your silence and the sudden red rain of witnesses.And then what unconquerable continents,what strange forecast occupied via gate via wind and wave-multitudes of sick yellow branch
the polar opposite of translucencycradled in the echoof a cloudburst,the earth curls invisible fingersabout my achilles' tendon& pulls;she cries that i am notintended for the clouds,that my mind must not wanderbetween their susurrous concavesso i,furious with her insistence,her petulance,untether myself from the soft,diaphonous comfort of the heavens& sink,down into the weight of gravity.listless green blades welcome my soles,stimulating a tickle,an itch,a sneeze; i never have done wellwith nature,but oh,she is calling for me,soft-tongued and crisp in herown shadow,& i am sorely temptedbut no,no--i am not for the soil.lungs listless,she becomes my inhale;lightheaded& translucent,my alveoli shudderbeneath her force--i am not for the air, either.mellow-skinned,i stand beneath her onslaughtuntil she tires,her molten heart beating beneath my toes;unable to woo me with her facets,she pirouettes,cloaking me in one last attempt,a final shadow.my pores bloom& i r
muddy waterthe sun rises late now. or hardly ever. or belligerent carmine on the underbellies of plants.a shot of sleep to the head, a boxing glove punch.the metaphorical rooster crows with the awful clamour of its lonely breath. the thing is, i can substitute the body.the thing is, the slit is a fantastic shade of orange i saw god but he says you still need to get a fucking jobthe thing is, i am bathtub water and rotten leaves.and the taste of power on the morning wind, a wet newspaperwith the headlines of a presidential divorce.there is power in the young eagle hissing at passersby from its trashcan throne.i know one thing:
There was an old clock in the hallThere was an old clock in the hall,Whose gears had been broken and stalled. Then ticking ensued, And it filled all the rooms,Though it wasn't the old clock at all.